Read more: I Could Never Be Your Woman 2007 , Malizia 2000 1991 , Private Lessons 1981 , Senza vergogna 1986 , La seduzione 1973 , Green Chair 2005 , The Graduate 1967 , Black Book aka Zwartboek 2006 , Summer of '42 1971 , Halfaouine: Boy of the Terraces aka Asfour Stah 1990 , Behind the Green Door 1972 , La seconda moglie 1998 , In Praise of Older Women 1997 , Notes on a Scandal 2006 , The Senator Likes Women 1972 , 14 and Under 1973 , Amor Estranho Amor 1982 , Rambling Rose 1991 , Private Teacher 1985 , The Big Bet 1985 , Ken Park 2002 , Mediterraneo 1991 , Maid in Sweden 1971 , How Much Do You Love Me? Movies Similar to Malizia 1973 : Malèna 2000 Malena is a 2000 Italian romantic drama directed by Giuseppe Tornatore. A widower and his sons fall in love with Angela Laura Antonelli , the beautiful housekeeper. To help him out, he takes on a new housekeeper, Angela Laura Antonelli , who proves not only to be more than capable of looking after them all, but also rather hot to boot. Some ideas were rehashed in Lover Boy, for which Malizia is clearly the prototype, such as a lightning storm seduction which is beautifully realised and no way as creepy as Grazie. Alessandro Momo and Laura Antonelli in Malizia When his wife dies, the much respected and wealthy shopkeeper Ignazio La Brocca Turi Ferro is left a widower. .
I think the facial expressions of Ms Antonelli in the scenes with Alessandro Momo are priceless and convey a deeper side to the character of Angela. A young son blackmails his housekeeper and step mother to be who is played by the beautiful Laura Antonelli in order to get sexual favours and to ultimately taking his virginity. Things take a turn for the worse, though, when Nino discovers that his father has proposed to her, at which point he starts threatening to turn everyone — and most particularly Enzino — against her unless she does exactly as he tells her. Born in Padua in 1944, he was part of a group of filmmakers to emerge from Venice in the late 1960s, others including Tinto Brass and Aldo Lado. Reviewer George Pacheco is a diehard Italo-Phile whose obsession with horror, giallo and Poliziotteschi borders upon the unhealthy. A dedicated Fenechphile, Justin loves the sexy side of Italian cinema, enduring even the most puerile of sex comedies for a glimmer of glam.
While the film deals with taboo subjects of underage sex it handles the subject matter with a certain amount of finesse earning, in the process, a number of awards. Bourgeois life comes under the spotlight in this coming of age tale of Sins Within The Family. Despite them being moderately popular, he reportedly gained a reputation amongst producers as someone who had problems finishing projects, and it was really with Malizia, which was hugely successful on its initial Italian release making 2,172,000,000 lire that he cemented his reputation. His sons are also infatuated with Angela, and each of them uses their particular way to approach and capture the apparently innocent and naive young woman, and to see more of her body. Perhaps this was something to do with the fact that it was seen as rather a controversial production, showing both a teenage boy both sexually abusing an older woman and a being cajoled, not unwillingly, into having sex. This is another in a trend in Italian films from the early seventies to feature a sexy young woman arriving in the household of a supposedly bourgeois family and arousing all sorts of uncivilised passions see also La nipote etc etc.
I really enjoyed the film, and it was nice seeing Angela turning the tables on him. The movie is set in the outbreak of World War I where a 16-year-old Roger Fabrice Josso tries to loose his virginity. But only one of them succeeds in dominating and conquering her: the middle son, the teenager Nino. Don't forget to mention if we miss any other movies similar to Malizia as we keep on updating this list. Or maybe it had more to do with the fact that much of the publicity featured Laura Antonelli in a state of undress, which was actually rather misleading because until the climax she remains fully clothed.
His demands become increasingly sexual and vindictive, until Angela is left with no option but to turn the tables on him. You can see his motion tributes , and find out about the latest Filmbar70 screening. Before long, Ignazio is stealing glances at her bottom at every opportunity, and both Antonio and Nino are going out of their horny, adolescent minds with lust. Each man uses his particular way to approach and capture the - apparently innocent and naive - young woman, and to see more of her sexy body. The story follows the lustful desire of a widower and his three sons towards their new young and beautiful maidservant Angela Laura Antonelli.
But only one of them succeeds in dominating and conquering her. Salvatore Samperi returned to direct Antonelli in Peccato veniale three years later. Curiously, many of his films from this period are based around a similar narrative, in which an adolescent boy or young man is traumatised in some way and develops an unhealthy sexual obsession with an attractive older woman. When not writing for Rue Morgue, Examiner. He blackmails her into eventually tolerating his increasingly aggressive physical.
Also runs the and named one of his kids after a Russian satellite. Written by i got pulled into watching more of Italian sex comedies after watching this film ,The film is true brilliance amazing work by the director and just love laura antoneli shes just amazing and gorgeous i wish i was born in the 60ts and i could watch this movie in my teens in a theater. Samperi made his debut with Grazie zia 68 , which was swiftly followed by Cuore di mamma 69 and Uccidete il vitello grasso e arrostitelo 70. Like Brass, particularly, his films tend to mix up eroticism with a rather skeptical view of Italian manners, and they also manage to be surprisingly elegant given their puckish, saucy storylines. The story follows an young and beautiful war widow Malèna Monica Bellucci whose beauty become an obsession to every men in the town included a 13-year-old love struck Renato Giuseppe Sulfaro who follows her around town. The movie follows 15-year-old Michael Berg's David Kross relationship to a 36-year-old Hanna Kate Winslet and the way it becomes complex when he re-encounters her about a decade later defending herself against Nazi war-crimes.
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